“When warming up footage in post, many inexperienced colorists will take a wrong turn and wind up giving their footage a sepia look. Here’s how to avoid that issue entirely.
It’s surprisingly common to find poorly colored independent films that inadvertently feature sepia-like tones in many scenes. This is almost always a result of poor technique in the color suite — and can scream amateur to any audience with a trained eye.
More often than not, this issue is a result of pushing too much warmth into an image while color grading (in the shadows, mids, and highlights) and then desaturating the image afterwards — usually in an attempt to offset the overdone color work. This is a perfect recipe for a sepia look (if that’s what you’re going for) but a very poor approach to adding warmth to your image in a more general sense.
In order to achieve a more natural warm look in your shots (without completely draining your footage of any other tones or colors) these are the steps you need to take:” – Noam Kroll | Premium Beat